My Time as a Human

writings by Kai Mantsch

Browsing Posts in Filmmaking

Tofu Pad Thai appeared as though by magic this afternoon at Thai Kitchen. I was already deep in conversation with Ann Graham, the co-founder of First Night. When the first event took place on New Years of 2006, I was so excited about the ant car, pirate ship of puppets, segue ballet, poetry and performance that filled downtown Austin with families that I wrote to the Austin Chronicle to publicly sing its praises. Despite massive crowds and universal praise, by the end of the second year their budget had been slashed and Ann had quit. While First Night continues to this day, I had to know how and why this story ended the way it had.

Most people realize the value of learning from past mistakes, but are often too rushed or lazy to put time into checking history before making decisions. Additionally some would rather make old mistakes again on their own. There was a hilarious slogan that trickled down from the top at my old software company. “We don’t use best practices, we invent them.” Pride meant that the wheel was held up before us time and again as a triumph of in-house creativity.

Lawnmower

Some of this is human nature. When I was a kid and told not to touch the hot lawnmower, I still had to try it. There was no way I could truly internalize the knowledge without the intense pain that sent me screaming and hopping in circles around the back yard for the next hour. After that, I knew how hot a lawnmower exhaust could get. I believed.

When the Superconducting Super Collider (SSC) project failed many years ago, my father had been working on it for eleven years of his life. An important advance in human scientific understanding collapsed in a morass of political squabbling and pork barreling as dazed scientists looked on in awe, their ability to understand the laws of nature that shape our universe useless against the inconceivably irrational complexity of governmental and military bureaucracy.

In the months that followed there was plenty of finger pointing, but ultimately people retired, moved on, and began the process of forgetting. I wanted to dive in and start doing interviews a few years later. It was one of the most fascinating human dramas I’d seen in my lifetime and my documentarian urges were already building. Sadly it was felt that my association with someone who was deeply involved would just stir up the wrong kind of trouble. An author who had written a book about the cold fusion debacle was approached about chronicling this story for history. He was interested, thought it was critical that it be done, but couldn’t write it because it just wouldn’t sell.

And so more lessons sink into the sands of time as a fresh batch of humans struggle up the next dune. Maybe we’re children that have to know. Maybe the rules really do change and need to be constantly retested. (Modern electric lawnmowers are not nearly as hot.) I just wish there were more value placed on collecting this information for those of us who have already burned themselves a few times and are ready to skip a few steps ahead.

As always, click the photo to reach the photographer’s site on Flickr.com

Morning in San Francisco arrives at around 11:00 AM. The apartment was already empty as I awoke at noon to scavenge for food, the artist residents out doing their collection of odd jobs counting pedestrians and planning parties in the desert. “The towel on the door is mostly clean, it just has a little paint on it,” I was told via cell phone as I tried to assemble a morning routine. “Hey, did you count the girl with the storm trooper helmet as crossing the street twice? Gotta go…”

After poking through the dusty camping gear and santa suits that fill any burner household and coming up empty handed for towels, I decided to hit the street. I managed to find a french cafe I remembered from years past and ordered up a plate of avocado sandwiches. A pick up artist tried to work on me by talking about Tesla, but he had forgotten to google him first. His knowledge ran out long before his enthusiasm. Spring is in the air here, and hormone levels are high. Walking to the supermarket there was a lot of checking out going on before I ever reached the register. San Francisco is a beautiful city and I’m glad she appreciates me.

Last night was the long awaited viewing of The Dicky Box by Logan and Dicky himself. I’m pretty happy with the latest cut, or as happy as I’m going to be, and so it was time to face up to how I’d represented my friends. We rolled out a screen and cranked up the DVD. I would have made sure that everyone had beer, but they were way ahead of me, nervously cracking open bottles of Pabst. I teased them a little but, as Dicky said, “has anyone ever made a feature length film about you?”

I felt a little like I was introducing Dicky to the character Dicky that I had created from a brief time in his past. I wanted the two Dickys to get along, and learn from each other. I chuckled nervously at the silly over-the-top sequence of the kiss, and Dicky was appropriately mortified. “I mean, has anyone ever filmed you making out with someone?! In slow motion?!”

Talking afterwards, Dicky realized that he swore a lot more than he thought he did, and apologized. He also saw for the first time what made the project, and his role, what it was: how much he was both a truly emotional person and yet completely unwilling to admit to or share his emotional experience.

Logan was primarily concerned about his bad hair and strange comments. More than once he had to ask us, “what did I mean by that?” He was very generous, though, about the film I had created, and felt it was a fair representation.

It was a relief to me that the comments weren’t overwhelmingly negative. The things that made either of them uncomfortable pertained more to their own actions and hairstyles, and not the angle I provided. Dicky’s concern about font choice aside, I don’t feel the need to make major revisions now. I have some interest from a sales agent and I’ll be sending her a version very similar to this one when I get back to Austin. It’s time for this project to get some exposure and time for me to move on to the next story.

One of the things I’ve learned about both travel and film work is that I’m happiest when I’m completely self-contained and self-sufficient. If I have everything I need I won’t waste time or energy getting cranky when the producer forgets to arrange food, or only provides beef. When I’m knee deep in mud I don’t have to run back to a truck for anything. When the lights suddenly cut out while I’m half naked washing laundry, I don’t even notice the transition to a waterproof flashlight because the reflex is so fluid and automatic it’s already in my hand and lit. (I literally experienced this: looking down, startled, to realize I was already holding the lit flashlight. It was very cool.)

Here is what I had with me every minute of every day, strategically placed on my body (thanks to cargo pants) such that I could grab it without even thinking:

- Leatherman tool
- Waterproof flashlight
- Notebook
- Pen
- Extra camera batteries
- Extra Firestore batteries
- Nylon cord
- Twist ties
- Handkerchief
- Lens cleaning brush
- Lens cleaning fluid and wipes
- Rubber bands
- Tiny bottle of hand soap/body wash
- Expendable wallet with money and business cards
- More hidden travel wallet with:

- Real money
- Passport
- Immunity shot list
- Contact number for emergency evac
- Phone numbers for credit card cancellation
- Phone numbers and addresses of people in states and local
- Credit card (backup left elsewhere and uninitialized)

- Water
- Organic dried fruit and nuts mix
- Warm hat
- Wool scarf
- 300 weight fleece
- Brim hat (to swap with warm hat when the day heated up)