My Time as a Human

writings by Kai Mantsch

The Magic Umbrella

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I used to be like most Americans. I wore a jacket in the rain and thought umbrellas were for the weak. When I arrived in China the sun was shining, it was 90 F, and every woman on the street was under a decorated umbrella of some kind. Some carried their own; some had boys to do it for them.

Over time I discovered that it wasn’t just a weird fashion statement. In the U.S., women are obsessed with finding new ways to burn themselves like rotisserie chickens: not too much, just the right amount of brown. They spend their hard earned money on places that will let them sit inside, in artificial sunlight, and rotate and cook just long enough to look like they’ve been outside.

Kai under umbrellaIn China, the aesthetic of choice is the whitest possible skin. The sunscreen (although most people don’t use it) actually makes your skin lighter with bleaching chemicals. The umbrellas protect the carefully preserved skin from the ultraviolet and… there’s more. As I started to walk around with girls, as I am wont to do, I found myself underneath their little protective domes. Mysteriously, I noticed that every time I was walking around with a girl, life was more pleasant. It was ten degrees F cooler! Not only that, but when it rained instead of wrapping my body inside a jacket, trapping more of the 90 degree heat, I was nice and cool and dry.

It took a few months to break down a lifetime of American hipness training, but I finally picked up an umbrella and never looked back.

In fairness, I have to point out that Ray Jardine, ultralight backpacking freak and guru, was the first. He’s not one to fear fashion risks, to say the least, and in Beyond Backpacking: Ray Jardine’s Guide to Lightweight Hiking he talks about how much he loves umbrellas on the trail. I thought it was one of his freakier ideas when I read it years ago and had forgotten about it. Now I’m sold. Despite carrying as little as possible when I travel, I keep a little friend called the “Happy Rain” that I picked up in Taiwan tucked into my backpack and it’s a permanent part of my ultralight travel collection.

A lot of people are still asking, “wait, what happened? You were POISONED?!” Instead of making everyone read the whole story I think a quick, easy to read recap would save a few sanities.

  • Most likely hypothesis: On a twelve hours overnight bus back from Hong Kong, China to Fuzhou, China the bus circulation wasn’t working properly and/or there was a carbon monoxide leak into the bus. (CO poisoning)
  • I arrived to two days of extremely intense headaches that made everything feel like a fog.
  • For the next two weeks I had a hard time focusing and my brain felt really tired and confused.
  • I went to the hospital and they weren’t much help.
  • I suddenly deteriorated rapidly to the point that I couldn’t use a web browser.
  • My friend helped me get at ticket to Taipei, Taiwan, where the hospitals are much better.
  • By the time I tried to get to the hospital, I couldn’t open a door or speak clearly. I was experiencing the same symptoms as advanced Parkinsons combined with confusion.
  • I saw three doctors, including two neurosurgeons, and got another MRI.
  • By the end of it all, when the last doctor was seeing me, I was coming out of the worst of it. The MRI looked clear. I was given blood flow drugs and told to chill out and see if it improved.
  • I could now open doors, walk around, and talk at almost full speed.
  • Basically functional, I decided I couldn’t miss our movie opening at IDFA and, although weird, flew to Amsterdam.
  • During the time in Amsterdam I overdid it enough to have the shaking and confusion come back for little visits. I decided to return to the States and rest and recover in a safe environment.
  • I am now at my parents’ place outside Chicago recovering from a combination of jet lag and the poison, hoping to be feeling much better in a month or two. I’m still a little shaky here and there and my brain gets tired but nothing like the near-death experience I was having in China.

There is a lot to process emotionally. I really thought it might well be my last few days, if not of life then of being a functional human being. At this point it looks like at best I’ll be right back to myself and at worst I’ll have these minor shakes and slightly diminished mental capacity for the rest of my life. Carbon Monoxide poisoning is a gnarly and unknown beast. So, you know, avoid it!

Amsterdam, as with much of northern europe, had a special familiarity for me. The streets and buildings, playing hide and seek in the fog, were built of old stone and brick. Climbing into an old pub or restaurant was like entering a hundreds of years old womb, thick ancient wooden surroundings from trees of even older forests. Handles and hinges of brass. Mugs of clay. My parents spent their early marriage in Europe, and gave birth to me there, and it profoundly affected them. So this, too, is the feel of the childhood home we built together in North America, raking out the foundation in the cold winter, laying the tile floor, installing electricity and plumbing. I’ve returned here to rest and recover from the poison, to return from whence I come, to, as Gabriela Jovanny put it, “be a baby again”.

amsterdam canal
amsterdam

organ pipes
organ console
dad and food
dad

My head and blood are still in the process of clearing. This place is both comfortable and familiar and subtly strange during the times when my perceptions are slightly off. I’m hoping once the jet lag clears this too will fade. I’ve started small bits of ashtanga yoga to keep the blood flowing and I’m slowly building up work on the elliptical to get my knees back to kung fu.

There are a lot of reminders here, along with the heavy tile and brick and wood, of what has shaped me. There is a pipe organ built into the house, the console completely refinished in oak to match the rest of the house. What seems crazy is so comfortably familiar to us. We carried the pipes out to a rental truck as children. My mother plays it and my father keeps it working. There is now a second pipe organ in the process of being rebuilt and I sleep near its frame in the basement. It, too, is of old wood, extracted from a church. For a hundred years the huge pipes’ deep tones shook the chests of singing faithful. Now the two of us are quiet, resting together, waiting patiently for recovery.

There is a sports car in the garage, but every other thing in the house was bought at a garage sale for less than five dollars or built by my parents by hand. There are stereo systems, some with 8-track cassette players, that cost less than two dollars but are now nestled into custom oak housings and mounted against oak cabinets. There is a 486 computer still being used in the front room to teach my mother’s piano students. It’s attached to a casio keyboard from somewhere in the 1980s. There are curious brass bells tucked around the house and visitors are welcomed by a huge gong, sent by my uncle from Thailand and mounted on a custom wood stand my father built.

Everywhere are reminders of frugality, of hand made things, of old europe. It is a place that speaks of a joy of creation, of novelty, and yet of connection with the past. Before my mother left her library career and started selling them online we had books and oak bookshelves throughout the house. Now there are literally thousands of books filling every space in which we once played. Tucked in the back I can still see the originals, classic books like, “Freedom of the Hills” that taught us rope belays and camping tricks.

Before I return to the earth, before I am clay and brick and old stories, I have another moment to pause. I didn’t plan for it, but no one ever does. It feels like the slow birth of the next round of adventure, a reassuring touch of the sandy bottom of the sea to be sure of its solidity before being carried away by the waves once more. To deepen the appreciation of the ocean’s movements, I’ve been given another glimpse of how lucky I am.


Why You Should Blog

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I write a lot of things to individuals that I sometimes regret not being able to share with the world. I wrote this letter to a friend in China who was spending too much time spinning a pen and fussing and not enough time making me happy with more of her great blog posts. I think most of what I’m saying here pertains to anyone, so with some minor edits, here’s why you should write a personal blog, even though you think everything’s already been said.


OK, I know this is long, but I can’t shut up when I have ranting to do. I’m like a chipmunk with cheeks a-puff, twitching and spinning, madly trying to find a place to spit out the seeds of truth.

Here’s my case for a blog, especially from you. Yes, the blogosphere is loaded with people’s travel journals. But are you really going to believe one person’s stories? And, once you start gathering a collection of opinions and impressions, you’re probably going to be looking for the ones that come from a person that resonates with you. The guy I found snarling about peasants being allowed onto the train or how wasted they were last saturday is not someone who’s opinion I’m going to place as highly as someone who takes a bigger view. Someone who is so academic they never dive into the thick haze of a boozy club isn’t going to give me what I want either. But I can learn something from both.

I started my blog long before I came to China or India because, like you, I just love putting words together and I wanted a way to do that more regularly. I’d also found out from years of email lists and earlier blog-like things that I really liked having people respond to my little comments about the universe. Believe it or not, you have perspectives that may not be new to a scholar, but that huge numbers of potential readers have never considered. I like to remind myself every now and then, when I’ve spent too much time around my creative overeducated friends, that there is a kid born every minute who has never heard Led Zeppelin. (Ok, feel free to replace that with your own culturally significant overwhelming first experience.) The result is that I’ve changed people’s lives with the silly things I write. And now I even have fans, people who write me because they are so moved, either to anger, passion, or thoughtfulness. That’s pretty cool. Hell, here I am writing to you. Hi. I’m Kai, your first official fan. ;-)

I should also mention how I set up my practice of blogging from the start. I knew I wanted to make this a regular, sustainable thing. If I made every blog post a “big deal” I would produce nothing. For the first several months of my first public blog, I wrote every weekday. I limited myself to one hour, so that no matter how busy my day seemed, I knew that this fit somewhere. I could think during the day, but when blog time came I sat down and immediately wrote for 50 minutes, allowed 10 minutes to edit and then, by my rule, had to hit “post” and leave it. Terrifying? Sure. But productive, too, and I’ve been learning and improving as I go. Things have evolved since then. I spend about an hour writing, five to ten editing and tack on another ten to fifteen to find and add a photo. I’m also not writing every day, and I regret that, but I’m happy for what I’ve been able to throw out into the collective consciousness.

So again I want to stress, most of all, to remember that this is a fun little writing practice for you. Don’t think about it any more than that. La la la I can’t hear anyone listening. Then know that no matter how often someone has said the same thing, the value comes when a listener who is the right person, at the right time in their life, responds to your unique way of ranting and has an epiphany. Or decides to look at their world in a new way. Or petitions their government to print plastic money.

Bottom line: I’m glad you’re around and writing and I’m happy to have found you. Keep bitching and ranting about the world and I’ll keep grinning.

Your fan,
Kai